Gadgets, Gear and Crew

Licenced to operate SUA’s up to 20kgs, Pivotal Film offers a range of systems to suit the end product and budget, ranging from super compact sub 1kg to heavy lift airframes capable of carrying the Arri Alexa Mini, RED or Sony cameras.

Regardless of mass, all SUA’s with proprietary gimbal/camera systems are capable of shooting resolutions at 4K, 10 bit and, in the case of the Inspire 2 with the X7 gimbal and lenses, up to 6K, 14 bit CinemaDNG or ProRes RAW files. The Inspire 2/X7 setup can also shoot ProRes 422 or 4444 codecs, allowing high quality footage to be ingested directly into projects without the need to transcode.

Combining highly skilled, CAA and IAA approved, pilots and camera operators, our credits span global drama and feature film productions, European commercials, intimate factual series and documentaries. Regardless of scale or budget, we adopt the same involved approach to each engagement with safety to the fore.

Gadgets, Gear and Crew

Licenced to operate SUA’s up to 20kgs, Pivotal Film offers a range of systems to suit the end product and budget, ranging from super compact sub 1kg to heavy lift airframes capable of carrying the Arri Alexa Mini, RED or Sony cameras.

Regardless of mass, all SUA’s with proprietary gimbal/camera systems are capable of shooting resolutions at 4K, 10 bit and, in the case of the Inspire 2 with the X7 gimbal and lenses, up to 6K, 14 bit CinemaDNG or ProRes RAW files. The Inspire 2/X7 setup can also shoot ProRes 422 or 4444 codecs, allowing high quality footage to be ingested directly into projects without the need to transcode.

Combining highly skilled, CAA and IAA approved, pilots and camera operators, our credits span global drama and feature film productions, European commercials, intimate factual series and documentaries. Regardless of scale or budget, we adopt the same involved approach to each engagement with safety to the fore.

Gadgets, Gear and Crew

Licenced to operate SUA’s up to 20kgs, Pivotal Film offers a range of systems to suit the end product and budget, ranging from super compact sub 1kg to heavy lift airframes capable of carrying the Arri Alexa Mini, RED or Sony cameras.

Regardless of mass, all SUA’s with proprietary gimbal/camera systems are capable of shooting resolutions at 4K, 10 bit and, in the case of the Inspire 2 with the X7 gimbal and lenses, up to 6K, 14 bit CinemaDNG or ProRes RAW files. The Inspire 2/X7 setup can also shoot ProRes 422 or 4444 codecs, allowing high quality footage to be ingested directly into projects without the need to transcode.

Combining highly skilled, CAA and IAA approved, pilots and camera operators, our credits span global drama and feature film productions, European commercials, intimate factual series and documentaries. Regardless of scale or budget, we adopt the same involved approach to each engagement with safety to the fore.

Gadgets, Gear and Crew

Licenced to operate SUA’s up to 20kgs, Pivotal Film offers a range of systems to suit the end product and budget, ranging from super compact sub 1kg to heavy lift airframes capable of carrying the Arri Alexa Mini, RED or Sony cameras.

Regardless of mass, all SUA’s with proprietary gimbal/camera systems are capable of shooting resolutions at 4K, 10 bit and, in the case of the Inspire 2 with the X7 gimbal and lenses, up to 6K, 14 bit CinemaDNG or ProRes RAW files. The Inspire 2/X7 setup can also shoot ProRes 422 or 4444 codecs, allowing high quality footage to be ingested directly into projects without the need to transcode.

Combining highly skilled, CAA and IAA approved, pilots and camera operators, our credits span global drama and feature film productions, European commercials, intimate factual series and documentaries. Regardless of scale or budget, we adopt the same involved approach to each engagement with safety to the fore.

Gadgets, Gear and Crew

Licenced to operate SUA’s up to 20kgs, Pivotal Film offers a range of systems to suit the end product and budget, ranging from super compact sub 1kg to heavy lift airframes capable of carrying the Arri Alexa Mini, RED or Sony cameras.

Regardless of mass, all SUA’s with proprietary gimbal/camera systems are capable of shooting resolutions at 4K, 10 bit and, in the case of the Inspire 2 with the X7 gimbal and lenses, up to 6K, 14 bit CinemaDNG or ProRes RAW files. The Inspire 2/X7 setup can also shoot ProRes 422 or 4444 codecs, allowing high quality footage to be ingested directly into projects without the need to transcode.

Combining highly skilled, CAA and IAA approved, pilots and camera operators, our credits span global drama and feature film productions, European commercials, intimate factual series and documentaries. Regardless of scale or budget, we adopt the same involved approach to each engagement with safety to the fore.

Designed and built by No.79 Design